Selected Works

The Antioch Review: “Homestead.”

Ballard Street Poetry Journal: “A Map Back Home,” “Father.”

The Banyan Review: “It Is the Ninth Day of Summer,” “Summer Solstice.”

Berkeley Poetry Review: “Yield,” “Trappings.”

The Bitter Oleander: “Attending.”

Céide: “A Suicide.”

Dămfīno: “The Mother, Bird,” “Common Goods.”

Ethel: "Scene with Apparitions."

Hayden’s Ferry Review: “The Most Melancholic Key.”

Hinchas de Poesía: “Mirror, Mirror.”

Hotel Amerika: “There’s a Third Eye to Every Memory,” (Parts I-III) “Statue,” “Four Fields.”

Hunger Mountain Review: “A Poem for My Father on Snakes,” “A Poem for My Father on Flies,” “A Poem for My Father on Dogs,” A Poem Absent of Animals for My Father,” “The Speed of Light Does Not Follow Any Acceptable Form of Logic.”

Indiana Review: “In the Deep, Deep Woods on a Dark, Dark Night.”

Knocking at the Door: Poems about Approaching the Other Anthology (Write Bloody 

Publishing): “I Write You With the Intention of Amendment.”

Literary Mama: "Wild Flower or Faded Wreath." Lines 8 and 9 are a direct quote from Jane Hirshfield,

“Between the Material World and the World of Feeling,” After (New York: Harper Perennial, 2006) 84.

The Marlboro Review: “Evening Service,” “The Harvest.”

Mid-American Review: “Noun : Adjective : Idiom : Verb.”

Migrations and Home: The Elements of Place Anthology (NatureCulture): “Bare.”

Parabola, Thomas Merton Prize in Poetry of the Sacred (Honorable Mention): 

“Poem for the Fourth Child.” 

Poetry City, USA: “Triptych Depicting an Average Morning, Miracles, and the 

Corpse.”

Radius: “Holding.”

The Rutherford Red Wheelbarrow: “As the Apple Passes to Lilac,” “White 

Grandfather Feathers and Inner Secondary Bone.”     

Salamander: “Porcelain.”

So To Speak: "If Your Family Owned a Mausoleum, then This Poem Would Make More Sense," "Self Portrait with Hand Study and Jung's Word Association Test."

Sou’wester: “Today: Kinetic.”

A Sow’s Ear Poetry Review: “Diagnosis.”

THRUSH Poetry Journal: "Father Sings for Supper and Severance."

Tygerburning Literary Journal: “Hinge.”

The Worcester Review: “Thaw.”

Writing the Land: Windblown I Anthology (NatureCulture/Human Error Publishing): “After the Prescribed Fire,” “The Threshing Floor.”

“Evening Service” and “The Harvest” also appear in Lingering in the Margins: A 

River City Poets Anthology (Chop Suey Books).

“Holding” was also nominated for inclusion in Best Indie Lit New England 2012.

“Homestead” also appears on the New Hampshire Poets Showcase website, selected by Walter E. Butts,

New Hampshire Poet Laureate 2009-2013 (2014), and in the anthology Poet Showcase: An Anthology of New Hampshire Poets (Hobblebush Books). 

“In the Deep, Deep Woods on a Dark, Dark Night” also appears on the Indiana 

Review’s Bluecast.

“Mirror, Mirror” was also selected for inclusion in Dămfīno Press’ inaugural 

launch of their online journal.

“There’s a Third Eye to Every Memory,” “The Mother, Bird,” “White 

Grandfather Feathers and Inner Secondary Bone,” “In the Deep, Deep Woods on a Dark, Dark Night,” and “Noun : Adjective : Idiom : Verb” also appear in the solicited chapbook series, 5 Poems (Dămfīno Press, Five Poems Series, Book 3).